![]() Filmmakers Ī number of filmmakers have had their movies honored for their achievements in visual effects i.e., five films produced by George Pal, five by director/producer George Lucas, five by director James Cameron (who began his career in Hollywood as an effects technician), four by directors Richard Fleischer, Steven Spielberg and Peter Jackson, three by directors Robert Zemeckis and Christopher Nolan, and two by directors Ridley Scott and Denis Villeneuve. (b) the artistry, skill and fidelity with which the visual illusions are achieved. (a) consideration of the contribution the visual effects make to the overall production and Īccording to the official Academy Award rules, the criteria are: No more than four people may be nominated for a single film. Since 2010, there are ten shortlisted finalists which, using a form of range voting, produce five nominees. A vote would then proceed, with a maximum of three nominees. In 2007, it was decided that a list of no more than 15 eligible films would be chosen, from which a maximum of seven would be shortlisted for further consideration. Other times, a single film is given the award outright. In 1979, there were five films nominated. Usually, there are three nominated films. There has been one semi-animated film nominated, which also won: Who Framed Roger Rabbit in 1988. To date, there have been three wholly animated films nominated in this category: The Nightmare Before Christmas in 1993, Kubo and the Two Strings in 2016, and The Lion King in 2019. Back to the Future Part III, Dick Tracy, Ghost and Total Recall advanced to a second stage of voting, but only Total Recall received a requisite average and it was given a special achievement Oscar. 1990 was the last year there were no official nominees. They are presently chosen by the visual effects branch executive committee. In 1977, the category was given its current name " Best Visual Effects." For decades, shortlisted finalists were selected by a steering committee. Honorees for this award have been bestowed several times as a Special Achievement Academy Award. In 1964, it was given only for visual effects, and the following year the name of the category was changed to " Best Special Visual Effects". From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one or the other type of effect was recognized. The following year, " Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. It was not until 1938 when a film was actually recognized for its effects work, when a " Special Achievement Award for Special Effects" was given to the Paramount film Spawn of the North. ![]() ![]() ![]() Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's King Kong. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for " Best Engineering Effects" to the first Best Picture Oscar winner, the World War I flying drama Wings. ![]()
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